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The videos discussed here represent the starting point for understanding this camera's legacy. For any aspiring or professional filmmaker, watching this curated collection of sample footage, tests, and behind-the-scenes content is the best way to appreciate what the Canon C700 can truly do.
: This landmark 4K short film was one of the first U.S. productions shot on the C700. Directed by Tyler Stableford and lensed by Academy Award-winning cinematographer Russell Carpenter, ASC (
To fully appreciate the visual signature of the C700, several landmark videos, short films, and test reels highlight what this sensor can achieve. 1. "The Calling" (Canon Launch Film)
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| Feature | EOS C700 (Standard) | EOS C700 GS PL | EOS C700 FF / FF PL | | :--- | :--- | :--- | :--- | | | Super 35mm CMOS | Global Shutter CMOS | Full-Frame CMOS | | Sensor Resolution | 4.5K | 4.2K Global Shutter | 5.9K (38.1 x 20.1mm) | | Dynamic Range | Up to 15 stops | Up to 14 stops | Exceeding 15 stops | | Maximum Frame Rate (Internal) | 4K up to 60fps, 2K up to 240fps | 4K/50P | 2K/HD up to 168/150fps | | Maximum Frame Rate (w/ Codex Recorder) | 4K RAW up to 120fps, 4.5K RAW up to 100fps | N/A | 5.9K RAW up to 60fps | | Internal Recording Codecs | XF-AVC (10-bit 4:2:2), Apple ProRes (4K 422HQ, 2K 4444) | XF-AVC | XF-AVC, Apple ProRes (UHD 4K 30p 422HQ) | | Special Features | Modular Design, Dual Pixel CMOS AF (EF mount), 15 stops of DR | Eliminates rolling shutter, ideal for fast action | Oversampled 4K from 5.9K, Netflix Approved |
A two-part series (Part 1 and Part 2) featuring industry experts discussing the technical specifications and practical applications of the camera, including its use of EF/PL mounts and the optional Codex recorder. 2. Technical Reviews & Sample Footage
This article explores the filmography of the C700, focusing on the popular videos and cinematic projects that showcase its capabilities, highlighting why it remains a sought-after tool for filmmakers seeking a rich, cinematic look. The C700 Filmography: A Legacy of Cinematic Excellence The videos discussed here represent the starting point
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The film was shot by Philip Bloom and used anamorphic lenses, taking advantage of the full-frame sensor to produce a truly cinematic "film" look.
Several networks have shared behind-the-scenes engineering breakdowns of the C700 integrated into live broadcast environments. These videos highlight the camera's modularity, showing how it transforms from a stripped-down cinema rig into a fully built-out studio camera with multi-camera transmission adapters. Legacy of the C700 productions shot on the C700
The camera is noted for producing natural skin tones and rich colors, which are essential for commercial and dramatic, "film-like" images.
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