The film runs for and was released in South Korea on March 23, 2017 . It earned over $21 million at the box office and was widely praised for its high-intensity action and compelling performances.
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Yoo-gun soon discovers that Ik-ho has corrupted the entire system—including the warden and guards—to run a sophisticated crime syndicate from his cell. Under Ik-ho's command, inmates leave the prison at night to commit high-profile heists and murders across South Korea, returning before dawn with the "perfect alibi" of being locked away. As Yoo-gun earns Ik-ho’s trust to climb the ranks, the film reveals a dangerous undercover mission fueled by a personal quest for justice. Key Cast and Characters the prison 2017 www10xfilxcom hindi org dua new
The 2017 South Korean action-thriller film The Prison (directed by Na Hyun and starring Han Suk-kyu and Kim Rae-won) remains a highly sought-after title for international cinema fans, particularly audiences looking for Hindi dubbed or subtitled versions on third-party streaming networks.
Most prison films focus on inmates desperate to escape the walls of their confinement. The Prison completely flips this trope. In this story, the penitentiary is the safest place on earth for a criminal enterprise. The inmates leave the prison at night to commit high-profile, flawless crimes—assassinations, robberies, and market manipulation—and return to their cells before dawn. This provides them with the ultimate, airtight alibi: how could they commit a crime when official state records prove they were locked behind bars?
For Yoo-gun, a once-dedicated cop who now finds himself among the convicts he helped put away, entering the prison is a shocking descent. His fearless attitude and hot-tempered nature quickly catch Ik-ho's attention. The kingpin begins to pull Yoo-gun into his criminal schemes, gradually revealing his ruthless ambitions. However, Yoo-gun has his own agenda—he is seeking revenge against the system that destroyed his life. What follows is a tense, violent, and unpredictable game of alliances, where loyalty is tested and the line between cop and criminal blurs completely. The film runs for and was released in
The term "dua" (which translates from Hindi/Urdu to "request" or "prayer") here metaphorically captures the participatory economy of piracy. Users act as both consumers and curators, signaling demand for specific titles like "The Prison 2017" to sites like "www10xfilxcom." This dynamic mirrors legitimate streaming services where user preferences shape content libraries, yet it operates outside legal frameworks. The "new" in the query further underscores the rapid, on-demand nature of unauthorized platforms, which prioritize instant gratification over copyright compliance.
He realized then: the prison wasn't the site. It wasn't 2017. It was the belief that someone else had the power to let him out.
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As Yoo-gun descends deeper into Ik-ho’s brutal world, the line separating a cop from a criminal becomes dangerously blurred.