Use sends for reverb and delay instead of putting them directly on the channel. This keeps the dry signal clean and saves CPU. Part 2: The FL Studio Mastering Workflow (PDF Prep)
Clean up the low-end mud. Cut everything below 30 Hz on your master, and cut everything below 100 Hz–150 Hz on non-bass instruments (vocals, guitars, hi-hats).
To ensure your music sounds identical on streaming platforms like Spotify, Apple Music, and YouTube, use these final export settings: Go to . Type: WAV (and MP3 if you need a quick preview file). mixing and mastering fl studio pdf work
: Use Maximus to balance the energy of Low, Mid, and High bands separately.
© 2025 FL Studio Production Guide. This document may be shared freely as a PDF for educational purposes. Use sends for reverb and delay instead of
Keep your kick, snare, lead vocal, and sub-bass dead center. Pan duplicate rhythm guitars, backing vocals, and percussion left and right to create a wide soundstage.
Avoid generic titles like "Sampler #4" or "Audio Clip #12." Cut everything below 30 Hz on your master,
Use Fruity Limiter in "Comp" mode to sidechain the bass to the kick drum. This ducks the bass volume slightly every time the kick hits, preventing low-end clashing. 3. Creating Depth and Stereo Width
Use the mixer faders to balance elements, starting with the kick and snare.