Tum hi ho Aadidev, tum hi ho sukhadata, Janma maran ke phande, tum hi ho trata. Paar na paave koi, Shri Yogeshwar Bhagwan. (2)
| | Description | |------------|------------------| | Tala (Rhythm) | Typically 8-beat (Keherwa) or slow 6-beat (Dadra) | | Raga | Often set to Bhupali , Yaman , or simple Desh for evening mood | | Instruments | Harmonium, manjira (small cymbals), dholak or tabla | | When sung | After the main aarti (like Om Jai Jagdish Hare ) or as a stand-alone Krishna aarti | | Region | North India (Uttar Pradesh, Bihar, Rajasthan, Delhi), also in ISKCON temples |
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Vishve tuj santano saghalya, bhuli phare tujane, Prabhu! Bhav-bhakti de saune (2) Lavu tav charane; 5
Brahmā viṣṇu śaṅkara, ādi deva kahāye Tumase hī avatārī, tuma hī avatārī ho Tum hi ho Aadidev, tum hi ho sukhadata,
दिगंबर रे दिगंबर रे दिगंबर रे दत्ता । सुखाची पेटी संतांचा कळकळता ॥ विठ्ठल विठ्ठल म्हणे विठोबा माऊली । रूप पाहता डोळ्यांची पिपासा निवारी ॥
Here are some top-rated versions of Jay Yogeshwar Bhagwan Aarti: Vishve tuj santano saghalya, bhuli phare tujane, Prabhu
छोड़ कालिंदी के तीर, लीला रचायी है। कालिया नाग का मद, चरणन दबाया है।। जय योगेश्वर...
The Jay Yogeshwar Bhagwan Aarti holds significant spiritual importance, as it:
In the context of the Swadhyay Parivar, primarily refers to Lord Krishna as the "Lord of Yoga". Unlike traditional interpretations that may view God as distant, Swadhyay teaches that God resides within every individual.