Documenting the Journey: How "Growing Larry Rivers" is Capturing Modern Entertainment and Trending Content
Note to the reader: If you find a working public download link, please update the comments section of this article. The hunt continues.
Growing (1981) is a highly controversial, unexhibited video series created by the American Pop artist Larry Rivers
Before Rivers could debut the film in his 1981 exhibition, the girls' mother, Clarice, intervened. Dissuaded by her, Rivers shelved the project, and it remained hidden away in his private storage for decades until his death in 2002. 2. The Institutional Rejection by NYU Documentary Growing 1981 Larry Rivers Download
Growing (1981) — Larry Rivers: Essay
The largest collection of Rivers' films is held at the and the Smithsonian Archives of American Art .
Rivers was fascinated by the physical and psychological transitions of life. "Growing" juxtaposed the development of youth against the decline of the older generation. Documenting the Journey: How "Growing Larry Rivers" is
A list of from Rivers' 1981 period Share public link
: The film serves as a primary case study in the debate over the limits of artistic expression, the necessity of informed consent for children in art, and the potential long-term psychological impact on subjects. Related Media and Information
You can watch Larry Rivers' art-focused documentaries through their legacy collection. Dissuaded by her, Rivers shelved the project, and
: Between 1976 and 1981, American Pop artist Larry Rivers used video equipment to record his two adolescent daughters, Emma and Gwynne, at six-month intervals. He filmed them naked or topless while asking them invasive questions about their developing bodies and physical puberty.
If you are looking for a digital download link, torrent, or streaming platform for the 1981 documentary, .
The documentary never saw a proper public release. In 1981, the girls' mother, Clarice, intervened and stopped Rivers from exhibiting the film, forcing him to shelve it. For decades, the project remained hidden in Rivers' private collection.
In 2010, Emma Tamburlini publicly condemned the film. She stated that she was deeply uncomfortable during the filming and labeled her father's work as nothing less than child pornography.