Use sharp, crisp edges where objects block light completely (e.g., under the chin). 4. Mediums and Mark-Making

Keep your dark values grouped together to maintain strong composition. Render the Value Scale

| Setting | Aditya Chari’s Preference | Why? | | :--- | :--- | :--- | | | Aperture Priority (A/Av) or Manual | Controls depth of field, lets light fluctuate naturally. | | Aperture | f/1.4 to f/2.8 | Subject isolation; dreamy bokeh. | | Shutter Speed | Minimum 1/125 (static) to 1/500 (moving) | To freeze micro-expressions. | | ISO | 400 – 6400 (Auto ISO) | He accepts grain as "texture," not noise. | | White Balance | Daylight (5200K) or Cloudy (6000K) | Even indoors, he keeps it warm to preserve mood. | | Picture Profile | Standard or Neutral (low sharpening) | Sharpness is added in post, not in camera. |

Mastering the Face: A Deep Dive into Aditya Chari’s Portrait Techniques

To apply the principles found in Chari's guides, practice this disciplined workflow:

For those searching for Aditya Chari Portrait Techniques PDF , his instructional book Portrait Techniques Made Easy (often published by Jyotsna Prakashan) provides a step-by-step visual guide.

Once the proportions are correct, start shading. Use to map out the shadow shapes. Don’t draw lines around the nose; shade the shadow underneath it.

Understanding the skeletal and muscular mechanics beneath the skin.

The eye sockets, the base of the nose, and the chin. 3. The "Block-In" Method

A horizontal line marks the brow, while a downward extension forms the jawline. Chari breaks the face down into three equal vertical sections: from the hairline to the brow, the brow to the bottom of the nose, and the nose to the chin. 2. Understanding Facial Anatomy and Planes